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“Cold Mountain” is a historical, costumed, military drama of 2003 by the beautiful director Anthony Minghella. With an impressive budget of $ 79,000,000 million, the movie turned out to be a delightful gift for those who love historical, military melodramas. I really like this movie. He was filmed with dignity, and his story touches the quick. In addition to the quality of filming in the picture there is a gorgeous composition of world actors with a capital letter, so this picture and looks so happy. We see a civil war in the United States, a hard and bloody time. One American Confederate is trying to get from the front to his beloved, who lives thousands of miles on Cold Mountain in North Carolina. He walks on foot, and his journey is full of dangers, horrors of war and devastation. His beloved, after the death of his father, is trying to survive, and if it were not for one vagabond, the lady would not have survived alone. We see a story of hope, a story of expectation and love .

Oh, how disappointed I am! It would seem that a win-win is my favorite subject in the supposedly “correct” interpretation. An, no! The film turned out to be boring, drawn out and completely meaningless. Maybe he once stood out against the background of the "Elusive Avengers", etc., but only due to heightened attention to the fate of the "counter-revolutionary elements", I suppose. Because there is nothing more in this picture. Acting work? Why, what is the use of them, if neither pity nor compassion for the heroes is experienced and close! The drunkard and gambler general, a crazy front commander, a completely untenable commander in chief. Such a “white guard” could not save the country, of course. And, as a result, these garbage (according to other sources - cream) of society do not cause anything in me but disgust. Damn it, and this is the elite of the imperial army ?! Funny Instead of dying heroically to defend their Fatherland from the dirty rabble who se

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I revised this film with a break of 13 years. Of course, such a touching story of the struggle between "good" and "evil" firmly sat down in the memory of a seven-year-old child in the form of delight and a basin of tears. I roared when the first son was killed, I roared when the church was burned, when the second son was killed, in general, when everyone roared. In this regard, even “Hachiko” and “Titanic” seem empty and callous to emotions, comedies. Revising at 19, my opinion about the film changed dramatically: the enthusiasm was replaced by a bunch of questions addressed both to Mel Gibson and Roland Emmerich. So it turned out that history as a sphere of scientific knowledge became, over time, not an empty word for me, and I began to understand very well where there is something. And what was done / removed for what. I still think “The Patriot” is a good film, sometimes brilliant, but now I know the purpose for which it was filmed: this is a 100 percent p

Definitely a movie for those interested. However, it cannot be said that the audience of the film will be divided into “black” and “white”, here, you know, just an interesting temka. The very fact that a big man from the world of street art turned out to be extremely diversified is captivating and not discouraging. In fact, the question “Why paint the walls and not only?” Pops up every time you see clumsy doodles on vertical surfaces under the open sky. For the idea. Here we have the gurus of Western Street - art, talking in an amateur chamber, explaining "why." The film is similar to a layer cake, from which the gourmet removes layer after layer, and under each one - “stuffing”! The ridiculous dude with sideburns turned out to be not just an “obsessed observer”, fanaticism in this matter did a good job. And if you think about it: Banksy himself edited the materials of the “madman” into a full-fledged film. But it turned out a film about street art in general and ideol

After watching the film really leaves a lasting impression and a desire to immerse yourself in it again. It seems to be a black-and-white documentary with often flashing “hardened reality” (here I mean a photo), which is unlikely, as it initially seems, to hold the attention of a simple inhabitant ... But, despite all this, the viewer never for a second falls out of the narrative. The film is partly biographical, but since it is a work of art, it looks not just as an interview with the main characters, but as something more. I just want to say a few words about the title, since the meaning of the film lies in it. The salt of the earth is the human race in a collective sense, respectively, this film is not only about one person, but about the whole of humanity. And then the Gospel of Matthew, an excerpt from the Sermon on the Mount of Jesus, comes to mind: “You are the salt of the earth. If the salt loses its strength, then how do you make it salty? She is no good anymore, how