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“Cold Mountain” is a historical, costumed, military drama of 2003 by the beautiful director Anthony Minghella. With an impressive budget of $ 79,000,000 million, the movie turned out to be a delightful gift for those who love historical, military melodramas. I really like this movie. He was filmed with dignity, and his story touches the quick. In addition to the quality of filming in the picture there is a gorgeous composition of world actors with a capital letter, so this picture and looks so happy. We see a civil war in the United States, a hard and bloody time. One American Confederate is trying to get from the front to his beloved, who lives thousands of miles on Cold Mountain in North Carolina. He walks on foot, and his journey is full of dangers, horrors of war and devastation. His beloved, after the death of his father, is trying to survive, and if it were not for one vagabond, the lady would not have survived alone. We see a story of hope, a story of expectation and love .

Oh, how disappointed I am! It would seem that a win-win is my favorite subject in the supposedly “correct” interpretation. An, no! The film turned out to be boring, drawn out and completely meaningless. Maybe he once stood out against the background of the "Elusive Avengers", etc., but only due to heightened attention to the fate of the "counter-revolutionary elements", I suppose. Because there is nothing more in this picture. Acting work? Why, what is the use of them, if neither pity nor compassion for the heroes is experienced and close! The drunkard and gambler general, a crazy front commander, a completely untenable commander in chief. Such a “white guard” could not save the country, of course. And, as a result, these garbage (according to other sources - cream) of society do not cause anything in me but disgust. Damn it, and this is the elite of the imperial army ?! Funny Instead of dying heroically to defend their Fatherland from the dirty rabble who se

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I revised this film with a break of 13 years. Of course, such a touching story of the struggle between "good" and "evil" firmly sat down in the memory of a seven-year-old child in the form of delight and a basin of tears. I roared when the first son was killed, I roared when the church was burned, when the second son was killed, in general, when everyone roared. In this regard, even “Hachiko” and “Titanic” seem empty and callous to emotions, comedies. Revising at 19, my opinion about the film changed dramatically: the enthusiasm was replaced by a bunch of questions addressed both to Mel Gibson and Roland Emmerich. So it turned out that history as a sphere of scientific knowledge became, over time, not an empty word for me, and I began to understand very well where there is something. And what was done / removed for what. I still think “The Patriot” is a good film, sometimes brilliant, but now I know the purpose for which it was filmed: this is a 100 percent p